飞白 发表于 2010-12-7 14:32:00

恒父《心灯》说

<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt;"><font face="宋体"><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">恒父《心灯》说</span></font></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt;"><font face="宋体"><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"></span></font><font face="宋体"><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">------恒父摄影作品集《心灯》读后感</span></font></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt;"><font face="宋体"><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"></span></font></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt;"><font face="宋体"><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"></span></font></p><p class="MsoNormal" style="TEXT-INDENT: 28pt; MARGIN: 0cm 0cm 0pt; mso-char-indent-count: 2.0;"><font face="宋体"><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">恒父说:从你的角度切入,或许会有不同的感觉。</span><span lang="EN-US" style="FONT-SIZE: 14pt;"><p></p></span></font></p><p></p><p></p><p class="MsoNormal" style="TEXT-INDENT: 28pt; MARGIN: 0cm 0cm 0pt; mso-char-indent-count: 2.0;"><font face="宋体"><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">没有或许。阅读图片文本,每一位读者都会有不同感受,不仅仅作者恒父,我们大家都是创作者,尤其面对雾里看花的图片,拨开迷雾现澄明,我们的作品是我们心中再造的心灯。跨越地域时空,共鸣不绝,这样的摄影作品集,品评人须好好看看鸡蛋里骨头是怎么长的,可是没有骨头,只有精华般的模糊印象,内里的玄机,先直觉一下,然后我思故我知吧,是为心得。</span><span lang="EN-US" style="FONT-SIZE: 14pt;"><p></p></span></font></p><p></p><p></p><p class="MsoNormal" style="TEXT-INDENT: 28pt; MARGIN: 0cm 0cm 0pt; mso-char-indent-count: 2.0;"><font face="宋体"><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">我看见大面积的空白,模糊不定的动态,若隐若现的细微变化,写意手法作为东方传统的艺术语言,恒父运用起来得心应手,虽妙不可言,但国人阅之,是诗是画,不言自明,西人阅之,想一下会说“距离、陌生化、异化的形式是艺术的基本表达,诗的必然”。这里更要说的是一种态度,郎静山大师的“画意摄影”风行一代又一代,很多人质疑这种形式的当代存在,但我们不能质疑东方艺术手法的精妙,艺术作品的表现方式同样表达着作者对待客观世界的方式,东方人自然就涵养在东方文化脉络中,恒父作品,迎面而来的是东方的气息,并没有丝毫的仿古画式的作态,极简的形式契合着时代节奏,所以,虽不是写真,却真实可据。</span><span lang="EN-US" style="FONT-SIZE: 14pt;"><p></p></span></font></p><p></p><p></p><p class="MsoNormal" style="TEXT-INDENT: 28pt; MARGIN: 0cm 0cm 0pt; mso-char-indent-count: 2.0;"><font face="宋体"><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">东方的语言,说着东方情景对话;不能说写意表达的山山水水就是古人独好的主题,青山如我的照观是人类永恒的感情,是永恒的审美参照物;但是,真正可称为恒父作品主题的并不是这些自然景物,而是这山这水这风这雨所蕴涵的审美体验,那些超越拍摄对象本身的象外之象;朦胧和空白与山水实景之间的结构形而上,正如海德格尔所言:“万物与我们本身都沉入麻木不仁的境界,但这不是单纯的全然不见的意思,而是万物在如此这般隐去的同时就显现于我们面前”;老子三千年前有一个比喻:“</span><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Arial; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Arial; mso-bidi-font-family: Arial;">凿户牖以为室,<span style="COLOR: windowtext;">当其无,有</span>室<span style="COLOR: windowtext;">之用</span>也。故<span style="COLOR: windowtext;">有之</span>以为利,无<span style="COLOR: black;">之以为用”,让我们关注那看不见的“无”,这是一片空灵的静虚世界,人与自然存在于这样的本然之中;本然的内容就是“本来无一物”,禅宗美学思想的“心”的体验,在“空”处实现,在青山绿水一切先成中,恒父的作品便有了“一朝悟罢正法眼,信手拈来皆文章”境界,我们称为意境的东西,须如此融身于景物之中,以非功利非崇高的态度看四时之朝暮,观草木之枯荣,追花觅影,徜徉徘徊,是这般快乐自由的境地。</span></span><span lang="EN-US" style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 14pt;"><p></p></span></font></p><p></p><p></p><p class="MsoNormal" style="TEXT-INDENT: 28pt; MARGIN: 0cm 0cm 0pt; mso-char-indent-count: 2.0;"><font face="宋体"><span style="FONT-FAMILY: 宋体; COLOR: black; FONT-SIZE: 14pt; mso-ascii-font-family: Arial; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Arial; mso-bidi-font-family: Arial;">百幅作品,泉水一样,一幅一幅眼前流过,</span><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">用通常习惯的审美方式看恒父作品,就如鸡蛋里找骨头,我们看不到养眼的风光,因为无限风光在心里,是看不见的,只能够在心里意会和再造。</span><span style="FONT-FAMILY: 宋体; COLOR: black; FONT-SIZE: 14pt; mso-ascii-font-family: Arial; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Arial; mso-bidi-font-family: Arial;">霞染枯枝,风动树影,烟雨涳濛中,</span><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">“无我之乡”却是“有我之境”,每一幅作品及名字,无不是作者心照,这是一个江南摄影人的审美静观,心的体验。江南水土最滋养细微的敏感,恒父作品微妙的清明处,如《大音》,是寂静之水的大音稀声,如《风白》,是风光无色的绚烂,如《惊水》,是混沌中忽至心底的一丝惊喜,如《秋水长》,是得一而知圆满的绵延,如《水性》,是若无声息的涌动,如《雨势》,是凝固中含蓄的动感;有对诸多生命态的入微体验,就有了“待到雪消去自然春到来”的自在。而作品《微醺》的拟人化情绪表达,作品《怀素笔意》的追古意味,作品《临风》若有所思的面壁动作</span><span lang="EN-US" style="FONT-SIZE: 14pt;">……</span><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">等等,读者明晰地看到一个中国文人的由来迹象,不由地为江南文士恒父的惊艳喝彩拍案。恒父摄影活动是心灵体验的行为过程,我们在再体验的过程中也会成就诗意。</span><span lang="EN-US" style="FONT-SIZE: 14pt;"><p></p></span></font></p><p></p><p></p><p class="MsoNormal" style="TEXT-INDENT: 28pt; MARGIN: 0cm 0cm 0pt; mso-char-indent-count: 2.0;"><font face="宋体"><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">再回到“画意摄影”的话题,我却不愿将《心灯》纳入“画意摄影”的概念中,本来无一物,由他自由自在,要画做甚?我们身处的技术世界,万物纷争烦乱,难能恬淡笃静,我们需要这一份撄宁。然而,我们也不应否认技术世界带给我们个体生命的别样充实,我们的生命态永远可以诗性地面对当下的存在,不需要刻意回避,行住坐卧皆道场的平常心或许是我们不朽的诗心。</span><span lang="EN-US" style="FONT-SIZE: 14pt;"><p></p></span></font></p><p></p><p></p><p class="MsoNormal" style="TEXT-INDENT: 280pt; MARGIN: 0cm 0cm 0pt; mso-char-indent-count: 20.0;"><font face="宋体"><span style="FONT-FAMILY: 宋体; FONT-SIZE: 14pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 宋体; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 飞白</span><span lang="EN-US" style="FONT-SIZE: 14pt;">2010-6-28</span></font></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt;"><span lang="EN-US" style="FONT-SIZE: 14pt; mso-no-proof: yes;"><shapetype id="_x0000_t75" stroked="f" filled="f" path="m@4@5l@4@11@9@11@9@5xe" coordsize="21600,21600" ospt="75" opreferrelative="t"></shapetype><stroke joinstyle="miter"></stroke><stroke></stroke><formulas></formulas><f eqn="if lineDrawn pixelLineWidth 0"></f><f></f><f eqn="sum @0 1 0"></f><f></f><f eqn="sum 0 0 @1"></f><f></f><f eqn="prod @2 1 2"></f><f></f><f eqn="prod @3 21600 pixelWidth"></f><f></f><f eqn="prod @3 21600 pixelHeight"></f><f></f><f eqn="sum @0 0 1"></f><f></f><f eqn="prod @6 1 2"></f><f></f><f eqn="prod @7 21600 pixelWidth"></f><f></f><f eqn="sum @8 21600 0"></f><f></f><f eqn="prod @7 21600 pixelHeight"></f><f></f><f eqn="sum @10 21600 0"></f><f></f><formulas></formulas><path gradientshapeok="t" oextrusionok="f" oconnecttype="rect"></path><path></path><lock aspectratio="t" vext="edit"></lock><lock></lock><shapetype></shapetype><shape id="图片_x0020_8" type="#_x0000_t75" ospid="_x0000_i1031" style="WIDTH: 315.75pt; 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[此贴子已经被作者于2010-12-7 14:33:21编辑过]

飞白 发表于 2010-12-7 14:51:00

图片选自恒父《心灯》

本帖最后由 观众教育 于 2015-7-29 21:20 编辑

<p><br/>秋水长</p><p></p><p>惊水</p><p><br/></p><p>临风<br/></p><p></p><p>大音</p><p><br/>&nbsp;</p><br/>微醺
[此贴子已经被作者于2010-12-8 17:23:28编辑过]

**091**¤**¤**

zhcvl 发表于 2010-12-7 16:44:00

可以上传图片。

飞白 发表于 2010-12-8 17:25:00

本帖最后由 观众教育 于 2015-7-29 21:20 编辑

<p>5张限制呵呵,好传了~~谢谢</p>

**079**♂**♂**

62身影再现 发表于 2010-12-10 16:17:00

观众教育 发表于 2011-1-1 07:12:00

本帖最后由 观众教育 于 2015-7-29 21:20 编辑

<font face="宋体" size="5">恒父作品,迎面而来的是东方的气息,并没有丝毫的仿古画式的作态,极简的形式契合着时代节奏,所以,虽不是写真,却真实可据。</font><span lang="EN-US" style="FONT-SIZE: 14pt;"><font face="宋体">
                </font><p></p></span>

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